Okay, now that I'm back from class for the day, I can finally explain shit.
And yet, the people going to JPN, telling Monolith and IS what they can and can't do, are members of Treehouse, the localization company filled with SJWs, soy boys, beta males, feminists, tumblr users, etc. I played through Xenoblade 2, and it just didn't click with me as much as the first game did, and I think Treehouse's meddling is why.
Yes, and the older episodes are more often than not, considered to be FAR superior to what they are now. Company meddling = awful quality/cheapening of the brand.
Except that Xenoblade was never meant for kids, it's meant for young adults. Pokemon, Yokai Watch, etc I can understand americanizing, but Xenoblade, FE, etc? No, I can't get behind that. Besides, people like myself want to experience what the Devs intended, but with Treehouse touching EVERY VERSION OF THE GAME, I can never see what their vision was really like. Also, these tumblr snow flakes don't even play these games, so why even bother trying to appeal to them?
....I'm not even going to bother, you've drank too much kool aid hun.
How are you okay with a developer's vision being censored?
No, this is about how Treehouse is meddling in these newer JRPGs.
The point of this topic is to show that Treehouse is up to their meddling again, except now it's even worse. Remember the games that were censored in 2016 because of them?
It does, considering Treehouse localized Fates, and now they butchered Xenoblade 2. For all we know, they're going to butcher FE Switch.
Except he's not really happy. The Japanese are known to be really polite and aren't very likely to speak out about this thing. Besides, for JPN devs, it's either have their game changed in the west, or not released at all. In this case, Monolith was forced to even changed the JPN version too. In other words, Treehouse is bullying Nintendo Co. LTD.