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Found 2 results

  1. I know it's impossible but let's talk what happen if we make Manuela as "Dancer" class. About how strong she is in Dancer class.
  2. I was wasting time indoors the other day and when listening to Yuri's supports something clicked for me. Dorothea's reasons for leaving the opera for the Monastery's Officer Academy always felt a little under explained by her. She wanted to find a husband she had actually bonded with, and follow Manuela after seeing she "made it" on the outside and didn't need the opera to thrive. But I also think Dorothea left because of the following: 1. Yuri is the boy from Bernadetta's past. The presumed cruel brutality visited on said boy made Bernadetta afraid of being friends with a commoner. 2. Dorothea reassures Bernadetta that she'll be fine. Having been targeted and survived kidnapping attempts (and worse) in the Opera. 3. Yuri, the same boy, in his support with Dorothea indicates that Dorothea was intensely desired by Nobles and since she refused to grant "access" to them would desperately seek out replacements 4. This would also explain why she was targeted. If she was willing to give the expected quid pro quo there would not be as strong a motive. And as time passed only more and more Nobles would likely be trying to take her for themselves or seek revenge for spurning them. While there's no confirmation of this connection it is an aspect of her past and decision-making that's often ignored, and the fact that the same character bridges these diffuse elements is at the very least a neat coincidence. I like it because it creates a strong reason for her to leave that she'd not want to trouble someone like Manuela with. Their support being a positive one about how Dorothea worked hard to reconnect with her surrogate mother. Makes it feel understated and subtle even if it otherwise would not be.
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