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Found 13 results

  1. I played through the game this past summer for the first time and one thing I walked away with was the feeling that the stat caps, especially on certain classes, seemed a bit too low. I know exactly why, this game is probably the longest in the series so you get more levels to compensate, and you typically don't get an extra 20 levels to grow in these games, but it seemed like my characters capped too easily and quickly. I never gave Titania a single stat booster yet by maybe the middle of Part 4 at the absolute latest she was getting empty levels due to there being no more stats she had a good growth in that wasn't already capped. My Nephenee had a similar problem, but I admit I gave her a few stat boosters and a strength, skill and speed transfer. This all wouldn't be that bad if the caps weren't so low on classes like Silver/Gold Knight and Archsage, where it seems like at peak performance they will still only match the enemies in the higher levels in the tower, Archsages especially have it bad due to there being so many enemies and bosses in the tower with high resistance, which in general also seems strangely high in this game specifically. Enemies get so fast that mages and paladins can't double in many instances, and so bulky that they might need at least 3 hits to kill. It just really seems like enemy stats are inflated to quite a high degree for this game. This is a small thing that doesn't really matter much, but it's also just kind of weird when you haven't even reached Endgame yet but your units aren't really getting much better anymore, just doesn't feel good. In a typical game, it feels really nice when you get a really meaty level right at the end of the penultimate chapter, but that doesn't really happen in RD.
  2. Recently, I was watching a number of videos and reading a lot about motion controls; particularly about the different hardware, common perceptions of motion controls, and about the ways in which motion controls have survived in the post-Wii era, and the main thing that came up was gyro aim. For the Wii, the one aspect of the motion controls that seemed to be the most widely-appreciated among players for more standard games was the IR pointer, as it didn't require much movement and it made aiming as fast and easy as it is with a mouse; arguably even faster and easier than on a mouse because of the lack of friction. For some examples of what I mean: to this day, the Wii port of Resident Evil 4 seems to be widely considered to be the best version of the game due to the pointer aiming, I came across a number of reviews of Twilight Princess where the reviewers greatly preferred aiming the bow and clawshots in the Wii version compared to the GameCube version, and I similarly saw a number of people saying that the Metroid Prime trilogy on the Wii was the best way to play those games because it put the IR pointer aiming in 3 into the first two games. In fact, a common trend seemed to be that games would be made with a standard controller (i.e. stick aiming) in mind, then the aiming would be remapped to the pointer, and aiming sections that were meant to be difficult were instead trivial. Perhaps the biggest case of this occurred during the development of an on-rails shooter game I previously never heard of called Sin and Punishment: Star Successor. An Iwata Asks revealed that the game was originally being made with a standard controller in mind, then it was converted into a Wii game during development. When Treasure: the company that made the game, gave it to Nintendo for playtesting, they (and Nintendo) fully expected Nintendo's playtesters to say it was too difficult. Instead, Nintendo's playtesters said it was too easy, and the game's difficulty ultimately was ramped up to account for the pointer aim before it was released. In the Iwata Asks, Iwata was very amused to learn about this; apparently saying to the person that told him about this, "Of all things, you told none other than Treasure to make [one of their games] more difficult?" Of course, the IR pointer wasn't carried over into later hardware, so instead, motion aiming on Nintendo consoles has been done through gyro aim, and it seems to be the one form of motion controls that's widely used across a lot of games on the Wii U and the Switch: the Wind Waker and Twilight Princess remakes, Breath of the Wild, Splatoon, almost every third-party shooter game that has a Switch port, and even Mario Odyssey (when controlling one of the tank enemies). And it's easy to see why it's so prevalent: it is a lot easier for many to do finer aiming with a gyro than just with a control stick, as it's functionally more intuitive to move the controller a little bit than to make small corrections with a stick, and it can be easily made an option that can be turned off if someone prefers to just use a control stick for aiming. However, all this made me wonder: is aiming really the only area in more standard gameplay where motion controls could be better than buttons & control sticks, or is there something else where motion controls would improve standard gameplay that normally would be done through button and stick controls? What do you think?
  3. I was looking through those screenshots that was used in the 25th Anniversary Book that reveals the cancelled Wii Title that was suppose to be planned to be released after Radiant Dawn came out in 2007. I definitely know that the continent that was used in that cancel game doesn't look it was Tellius at all, but it suppose to be a brand new continent. But I definitely see those three characters showed up in the screenshots looked alot like Stefan, Ilyana, and Rhys (we can't see the hair due to the hood on, but it outfit looks alot like his, but it had some red stuff in the clothing since the ingame models and artwork had Rhys had some blue in his clothing). They never specified that what was those three characters' roles suppose to be used in the Cancelled Wii Title. Do you guys think Intelligent Systems had planned on putting Stefan, Ilyana, and Rhys as Recurring Characters in that cancelled Wii Title similar to like the three Awakening characters that appeared in Fates such as: or do you think Intelligent System had planned those three characters were most likely completely different characters that looked like the three Tellius characters? If you haven't seen the screenshot of the Cancelled Wii Project what it looked like when they're there. They showed up in Imperial Capital: Grisstal and the Village. https://gonintendo.com/stories/249223-more-details-on-the-cancelled-fire-emblem-wii
  4. So, an HD re-release of Skyward Sword got announced for the Switch at the most recent direct, and they announced that the game would include optional button/stick controls to use in place of the motion controls. That's certainly a good addition, and there's been plenty of discussion about it. However, neither it nor anything else in the announcement addressed what, for me at least, was the biggest issue with the motion controls in Skyward Sword; the issue that kept me from playing Skyward Sword the first time around and raises a larger issue about gaming: (From the announcement): "The joy-con controller in your right hand is the sword", "The joy-con controller in your left hand is your shield" So... what if you're left-handed? For context: as a left-handed person in a world where 90% of the population is right-handed, I have had to grow used to using right-handed objects in everyday life: for just one example, I found a way to use right-handed scissors (or as a right-handed person would call them, scissors) with my left hand without it being awkward just so I wouldn't have to pay absurd amounts for "scissors designed for both hands" that look no different from normal scissors. However, when it comes to playing video games on consoles, handedness is usually not an issue: the main effect of handedness is on things involving precise motion and hand-eye coordination: writing, sports, using a pair of scissors, etc., and a standard controller has none of that: it's pressing buttons and tilting a control stick while relying more on the physical feedback of the buttons and the stick than on the visual feedback of the game, so me being left-handed has virtually no effect when playing most consoles. Console gaming was generally the one area where my handedness didn't matter at all. With the Wii and the DS, however, it was a different story. The DS Zelda games: Phantom Hourglass and Spirit Tracks, accommodated being left-handed: the game right away asked if you were left-handed or right-handed, and it adjusted the UI on the touch screen accordingly. More than that, almost every aspect of the gameplay utilized the DS pen, so there was never a situation involving having to use the control stick and the DS pen at the same time; something I heard was a major issue with Kid Icarus: Uprising to the point where Nintendo released a right control stick attachment (and of course, that attachment costed money rather than coming with the game, so there was a whiff of that "double-priced scissors that both hands can supposedly use equally"). Nintendo remembered to be inclusive towards the left-handed. Plenty of Wii games, such as Wii Sports, also took left-handed players into consideration. The design of the Wii remote also took it into account: the Wii remote and nunchuck were symmetrical and could be held easily in either hand. And yet, for Skyward Sword, left-handed players got nothing. The game was designed around motion controls that favored being right-handed, and there were no options to alter the controls. Every time I went to the store and came across Skyward Sword on the Wii, this is the thing that ultimately kept me from purchasing it. Now, with this HD re-release, I was really hoping that would finally be addressed, but, while it's certainly possible that the game may have a "left-handed mode" that simply wasn't announced, the trailer could not have leaned more towards being right-handed if it tried: not only those descriptions of the combat above, but also the special themed joy-cons they announced with the right joy-con being the sword and the left joy-con being the shield. The worst part is that the Switch re-release could actually end up being less inclusive than the Wii version if this is ignored: I know of a number of left-handed players who simply played Skyward Sword with the Wii remote in their left hand and the nunchuck in their right; it was awkward for them because motion controls rely entirely on visual feedback and Link's using the sword and shield in the opposite hands, but it was something. The equivalent for the Switch version would be swapping the very asymmetrical joy-cons and awkwardly holding them in the opposite hands. This is a problem that even occurred with Super Mario 3D All-Stars: in the Wii version of Mario Galaxy, handedness didn't matter one bit. However, for the 3D All-Stars version, all the motion controls were mapped to the right joy-con. A Wii game where handedness didn't matter became a game that disadvantaged the left-handed when ported to the Switch, and unlike the problem with the camera controls in the 3D All-Stars version of Mario Sunshine, Nintendo has yet to fix this. You would think that Nintendo would want to be as inclusive as possible for its audience even from a simple business standpoint; that was certainly the reasoning behind all the handholding in late Wii-era games such as this one. Adding to this, when it comes to Skyward Sword and handedness, it isn't just the controls that bother me: the left-handed like myself have hardly any representation in gaming. For the longest time, Link was the only left-handed hero of any noteworthiness, and he had been left-handed since the very first Zelda game (though for that game you'd have to look at the artwork to confirm it due to sprite-mirroring in 8-bit games). Then Skyward Sword changed that; he was made right-handed to mirror the motion-controls and cater to a right-handed audience, and though the 2D Zelda games that have come after have kept Link as left-handed, Breath of the Wild: a game with zero motion controls and with no animations or programming ported over from Skyward Sword, had a right-handed Link. At E3 2016, in response to questions about this, Eiji Aonuma had this response: "In terms of right-handedness of things, when we think about which hand Link is going to use, we think about the control scheme. With the gamepad, the buttons you'll be using to swing the sword are on the right side, and thus he's right-handed." There's no way to describe this statement except as complete bogus; the attack button's been on the right side of the controller since the NES, yet Link has always been left-handed. Adding to this, in another interview in 2017, Eiji said this: "It is a matter of chance that Link is left-handed in the first episodes, for a reason that we could not really explain today" It was most certainly not chance; the reason is that the series creator, Shigeru Miyamoto, favours his left hand and enjoys adding left-handed characters in games. He made Bowser Jr. left-handed, he made Rosalina left-handed, etc. So, one thing we aren't getting from Nintendo about the reason for why is the truth, and I think the reason for that is simply that there was no reason they made Link right-handed in Breath of the Wild, and now after being asked, they're just trying to make it sound like there was a good reason. They've even gone so far as to say that Link is "ambidextrous" and I honestly think they don't realize what they're doing: they're reducing the number of noteworthy left-handed heroes, not just in gaming but in pretty much all of fiction, from one to zero, and that's a real shame. Anyway, these are my thoughts. Sorry this is a bit long, but I wanted to mention everything I could about this and cover all my thoughts on this. What are your thoughts on this?
  5. Haven't seen this posted yet. The Making Of book has some concept art of another Fire Emblem game for the Wii. Check it out. http://nintendoeverything.com/fire-emblem-25th-anniversary-book-shows-unreleased-wii-game/
  6. Man and Woman Vs The World Intro: Sin and Punishment is a series I knew about for quite a while thanks to the Quartar Guy and CJ. Particularly, the sequel. Sin and Punishment: Star Successor is a game that always made me wonder what all the fuss is about? Why do people revere it so? A question I intend to answer in this review. PS: I haven’t played the original game so don’t expect me to compare it to the sequel. Story: The story of S&P2 is quite hard to break down. But the easiest way to explain it is that you have two main characters: Isa and Kachi. Isa was sent on a mission to kill Kachi. Isa befriends her instead, Kachi loses her memory, they both get attacked by a group of soldiers apparently working for the creators, and are now supposed to escape Earth 4. Yes, there are four Earths or more in this game. There’s a lot of other plot elements mixed in such as keepers, the fact that Kachi is not human but some kind of alien life form threatening the creators and such. And it appears that the game is trying to tell a much bigger story than its length allows. There are a bunch of villain characters introduced that recognize Isa because he used to work with them; but all of those characters have no form of character development whatsoever, and their relationship with Isa is not explored that much. And that makes the story convoluted and filled with plot holes. And the dialogue writing isn’t all that great and can feel cheesy at points. But I’ve seen much worse, so this isn’t as bad as you might think. My biggest problem with the story is that the ending sucks. It lasts for like 20 seconds and then cuts straight into the credits with little character conclusion shown. But in all honesty, I don’t come to this kind of game and expect a richly detailed world with deep characters. So while the story, characters and writing are somewhat mediocre, I can forgive that. Graphics and Presentation: The game’s visuals look pretty good for a 2010 Wii game. It’s nowhere near Prime 3 in visual fidelity but it still has some good looking textures and environments. Especially for a game with levels this big. The game’s art direction is really good, there are 7 stages, 8 if you count stage 0 and all of them have their own unique setting. The game will take you through a variety of different stages during the 6+ hour adventure, that it never gets dull or repetitive. The animations look pretty cool, they are all smooth looking and there’s not a single piece of animation that I found to look dumb or anything like that. The sound design is great, and sets the mood for each stage. And I like the punchiness behind the sound when you shoot an enemy from close range. The soundtrack, however is not all that great. And that’s a big downer for me when it comes to a game like this. The tracks are good but none of them are ones I would consider memorable. And in a game this short, even if your tracks are repetitive, you have to make sure that the tracks you repeat are memorable enough. The voice acting is alright. It’s nothing that will blow your mind, but it isn’t bad, either. Overall. Presentation wise, this game is quite impressive. Gameplay: Now we’re getting to the really good stuff. The gameplay! The thing that makes this game so addictive and fun! This game plays like a typical rails shooter in terms of structure. Gun down hordes of enemies as you go through the on rails stage, fight a boss, gun down more enemies, fight another boss, rinse and repeat. There are sometimes where you fight multiple bosses in a row. So the gameplay structure isn’t that different, but the execution here is masterful! The game begins with a tutorial level that gets you oriented with the game perfectly before taking on the real deal, levels 1-7. The boss of the first level is actually very good, it’s fun and has a lot of varied and detailed moves that he can pull off on you. It’s not difficult, since it’s the first boss. But it’s a great test of what you learned in the first level. The controls are really smooth and precise, that you can never fault the game for your death. Every time I died, I always only blamed myself and never felt that the controls were working against me. You control your character by moving the nunchuck stick, shoot by holding the B button, hit the B button once for a melee attack and continue for a deadly combo, press the A button for locking on to the enemy, press C for jumping, and finally, hold A to use your special attack. Your special deals a lot of damage, but requires you to charge it up. And it can be interrupted by an enemy attack so it’s quite balanced. Your melee attacks deal much more damage than shooting but can leave you wide open for enemy attacks. In fact, a full combo will leave you open for a split second, which is quite dangerous for a rails shooter like this, so be careful not to abuse it. Hovering is a new feature in this game added in from the first one, from what I heard. And it makes the gameplay much less restricted and more open. But battling on ground is still a viable strategy at times since there are some enemies that may require a good melee attack or two. The game is generous enough to give you health packs from time to time. Make sure you absolutely grab every one you see without hesitation, they won’t float around forever. The game is quite challenging, I played on Normal difficulty, and while I didn’t die too much, I was still faced with enough challenge to be engaged, through and through. It is a serious dexterity test in multitasking. Seek out the largest threat and get rid of them to focus on other threats, pay attention to your health so that you don’t take too much damage, and keep an eye out for small mobs as ignoring them can bite you in the ass later on as you discover that you took too much damage by just ignoring a couple of them. The game almost has no difficulty spike and the gameplay flow is almost flawless. It keeps getting gradually more challenging without ever feeling cheap or unfair. But the thing I love about this game the most is the boss battles. They are spectacular! Stupendous and are all creative in their designs in some ways. All of them have detailed movesets and quick reactions are crucial to your survival. Some of them just feel very clever and unique. Such as a boss where you have to detach train cars so they can go over her way and deal damage. A tetris boss, where it starts out by you going to the top while gunning down enemies and when you get to the top is when the camera stops following you and the boss starts becoming a bit similar to tetris where he starts throwing blocks down the arena, and you have to attack him, destroy the blocks before they start covering up the arena and get you cornered but at the same time avoid all of his deadly moves. There’s also a boss that changes the game into a 2D fighting game. There’s all sorts of cool and creative bosses, and the best ones are some of the best I’ve encountered in any game. There’s even a boss rush near the end but the bosses you fight there, while they are the same characters, are in no way the same boss at all. And don’t worry, you don’t fight them ALL again. You just fight about 3 or 4 of them, so if you’re worried you’d fight the entire boss roster again, you can rest easy, now. The game is very addicting to play and has high replayability. I will definitely go back to it as I heard that if you beat it again with a different character, you unlock the ability to switch between them. That sounds awesome! I didn’t get the chance to play the 2 player mode as I don’t have people to play locally with, sadly. But I hear I’m not missing out that much since the second player is an assist shooter, an extra reticle rather than an extra character. But that doesn’t change that this is some of the most fun I’ve had in a rails shooter in quite a while! Breaking my score record is something I enjoy a lot in a game. And it’s quite enjoyable to do so in this game. The gameplay is the highest point for me. It’s definitely enough reason to buy this game. Final Verdict: Sin and Punishment: Star Successor is the apex of rails shooters. Never before were bosses this well done, never before was gameplay so varied and addicting, never before have I felt so engaged in a game for pure gameplay alone, that I completely ignored the story buried beneath it. The game is short at about 6 hours long. But it has really good replay value. A better soundtrack could make the levels a bit more fun to play, but the game is overall tight. And there’s not that many major faults with it. It was an absolute blast for me to play through. And I can’t wait to go back and play it again. Final Score: 9/10 Excellent Update on Upcoming Reviews: I really like playing through obscure games like this one. It helps expand my horizons a bit more. I must thank Zera for recommending it to me. But I wonder, what are the plumbers doing this time around? It’s been quite a while since they’ve been on a grand RPG adventure. But now, they have returned. Is Mario and Luigi: Dream Team as good as Bowser’s Inside Story? Find out in my next review.
  7. The ones I missed that I didn't get to play were Xenoblade Chronicles, Radiant Dawn, and Skyward Sword. I'm really hoping for Xenoblade Chronicles to come on virtual console specifically because I don't want to have to buy a New 3DS just to play it.
  8. Anyone had the fortune to play this fun party gem? It's basically chaotic monopoly with STOCKS. Not really much in terms of mini games, more about strategy, luck and conning people out of property. Quite a few Dragon Quest and Mario characters and locales. I quite like the game as simple as it is. It's addicting for me and some friends. We'll just sit and do a game or two out of the blue. Small trailer for an overview of the experience
  9. So as most of us know. Radiant Dawn was divided into 4 parts which served to split the game up into arcs of sorts. Part 1 was the Dawn Brigade and I feel this part is pretty solid, introduces our new protagonist and how Daein is liberated Part 2 was Crimea, which serves as a capstone and book ends to FE9 in general (Which I feel is where the writing is strongest in the entire game) Part 3 was the beginning of the War. Ike comes in with his badass crew and wrecks things, we see things from the Daein and Crimea POV every now and again but Ike takes center stage (Story wise I feel its both one of the stronger at first but then becomes one of the weakest as we continue through it to the Blood Pacts) Part 4 was the coming together and defeating the true evil. Basically Autobots roll out. (Thematically interesting but the writing could have used the longer Japanese script as could the rest of the game) My personal favorite would be either 2 or 3 thematically. From a gameplay perspective however 3 is the most yeah we are back baby Part 1 reminds me semi of Thracia starting off because Miccy is just plain out gunned for the first half or so. All n all I like this game and its various parts. The game has weaknesses yes but I want to here what your favorite part is and why?
  10. Now from a gameplay standpoint, Radiant Dawn had a fun support system. Support whomever you wanted! But from a story standpoint it was incredibly lackluster. But what if. A future FE game with a small enough group (or groups to fulfill the massive character quota) Had Radiant Dawns support system but the writing for each character to chat to each character in the game (or their groups)? I think it would be quite great. My favorite games in terms of their support systems have been 9, 12 and 13 because they were done at the base. If we could have a possible merge with 10's on that. I think it would work Discuss
  11. Sad but true. May 20th of this year, we will lose the ability to play some quite amazing games online. This also includes the only 2 Fire Emblems with competitive multiplayer(FE11 and FE12). This is not Nintendo's fault. Nintendo outsourced server management to GameSpy for the Wii and NDS. GameSpy was recently purchased by a company and they don't seem to care about anything other than mobile gaming, so all of the old GameSpy servers are being shut down. But this doesn't have to be the end. Nintendo consoles have all been emulated, with the exception of the current gen(and we'll get there). If you look for NES games, or SNES games, you'll find that fans have painstakingly preserved these experiences so that they can be enjoyed far into the future. So, why don't we do the same thing with Nintendo WFC But how do you propose we do this? It's not going to be easy. I don't even know if we'll be able to write servers for every game in time. What we need to do is make sure that as much data is collected about each of the multiplayer games that are going offline as possible. There is an effort being lead by an emulator developer named ToadKing to reverse engineer each game and collect as much data as possible to do this. But how can I help? 1. Use the guides on ToadKing's website to capture packets of as many use-cases of online in any game that is going offline and send it to ToadKing. 2. Anyone with network protocol experience would be invaluable in extracting data and figuring out the encodings of data 3. Any information you can find relevant to the multiplayer. Most multiplayer games use Nintendo WFC's servers to find a match, and then from there everything is Peer2Peer. Please spread the word! May 20th is a few months away, but it'll be here before we know it
  12. so i have been always wanting to play fe 9 and fe 10 but i hear fe 9 is very easy, i don't want a game that will put me to sleep. however i am worried about not being able to understand anything about the radiant saga. can you help me. and if you DO want me to play fe 9 first tell me about how diffcult it is on hardest NA mode. also give reasons if you do want me to play fe 9 before fe 10 or if it os okay to play fe 10 before fe 9
  13. Umm, does anyone still play MKW and/or MK7? I remember there being another topic for this but I'm pretty sure it's not in FFtF; it's most likely well into necroposting territory by now. So ya, new thread if that's alright with everyone! [spoiler=MKW FCs] [spoiler=3DS FCs] [spoiler=MK7 Communities]
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