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RandomX2

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Posts posted by RandomX2

  1. I get an error when trying to use the link :(

    Just google "The Terrible fanfiction idea generator" and hit the first link.

    Your challenge is to write crossover fanfiction combining Doom and Pokemon. The story should use being in prison as a plot device!

    Hm... have a legendary pokemon die in a prison run by team rocket, which opens a gate to hell.

    Your challenge is to write crossover fanfiction combining Mortal Kombat and Samurai Jack. The story should use a plague as a plot device!

    Shang Tsung's incentive for Jack to participate is the cure to a plague that's killing people in the bad future.

    Your challenge is to write crossover fanfiction combining ER andBuffy the Vampire Slayer. The story should use a plot to reanimate Hitler as a plot device!

    Hahaha, that kind of writes itself.

    This is actually pretty fun!

  2. I usually hate second-hand smoke but I'd ignore it in Rudra's case.

    lol @ Aizenberg, "Wha, what's that? You just want to be tucked into bed normally? Well fuuuuuuuuuuuuuuuuuuuuuuuuuuuck you!"

    He's a jrpg hero so he would probably steal the potions I keep in my unlocked treasure chests while I'm sleeping.

    What a jerk.

    Be sure to also lock/double-check your drawers, bookshelves and wastepaper bins for valuables. Nothing is sacred to jrpg heroes.

  3. out of seriousness... they all start depicting my "happy going confidence" into some kind of "introverts desperation"

    The hell? They can't tell you what you're feeling. If you're feeling normal and just having fun and you're not feeling desperate, let them say whatever they want to say, 'cuz they're wrong anyway. No biggie.

    Trust your own judgement over theirs. And WRT the whole introvert/ extrovert thing, I think as a society we're past the whole introversion-is-bad thing. It's possible to not get excited at the idea of conversations and social situations, but still be good at it anyway.

    Edit for capitalization because that`s how I am.

  4. I dunno, probably depends on where you are in the world.

    "guys who have no relationships to provide emotional context/development are kinda weird when you think about it"

    I'm kind of back and forth on this because I'm not sure what counts as a relationship that gives emotional development. Like, a clear-cut example of a guy with a relationship for emotional development is Ender in Ender's Game, whose relationship with his siblings affects his way of thinking a lot even when he's not talking to them. He hates his bully of an older brother, so he tries not to fight other people and hates himself when he acts aggressively. He loves his sister, and that changes stuff, too.

    Does Harry Potter count, though? I've always thought of HP as more "interacting" with people when they're in front of him. He has a fixed personality that doesn't really change due to any of his relationships. No character development for him, just character relations. If that's what you mean by not having relationships for emotional development, I suppose I agree. Are female characters more likely to be like Ender over Harry Potter, though? I wouldn't know, 'cuz just about everything I read has male characters as central characters.

    Then again, most people in real life probably don't have emotional development that was (obviously) built because of specific relationships anyway, so maybe this shouldn't be considered weird at all. Unless I misinterpreted what your friend meant.

  5. *shudder* Newspaper jobs. The work-to-pay ratio is not worth it at all.

    Rule number one of looking for a job: People don't give a shit about YOU anything.

    Fix'd. Just apply to places, don't worry too much about it. A lot of hiring decisions are whimsical, anyway.

    Yoloswag.

  6. ... I want to create a character who draws her strength from her femininity rather than male characteristics.

    When you say you want a character who draws her strength from her femininity, I interpret that as you saying: I want a woman whose characterization would fail if I switched her to a male. Most well-developed characters can be switched from male to female (or female to male) and keep almost all their characterization intact. As Venari said:

    I've read somewhere that in order to make a strong female character some writers design a male character and just change their gender.

    It`s easy and it works. I'd advise you forget about thinking of your character specifically as female and just do this. If you insist on having a character who would only work as a female, though...

    You need to know what's going to be different between males and females in your story (Disclaimer: stereotyping). For example, young females deal with more psychological bullying and fake-niceness-with-malicious-intent than boys. In Worm (a great online story), this idea is used to develop Taylor Hebert, the protagonist. She's bullied a lot by 2 popular, pretty girls, who humiliate her in front of other students. The bullies are sweet in front of teachers and known as good students, though, so they get away with it. Taylor's hate of her bullies defines a good amount of her early game personality and makes her feel real.

    IMO, psychological bullying would still work if the main character was male, it just wouldn't work as well. Since psychological bullying is more related to females over males, that's an example of when using a female character is better. Or, if you don't want to be subtle, you can have your female character:

    1) Have a father who was disappointed she wasn't a boy --> low self-esteem for your protagonist.

    2) Live in a society where women are supposed to be meek and quiet. If your character is naturally opinionated, you have a character who will often want to say something, but doesn't because she knows it won't reflect well on her. Her inner conflict when thinking about "do I speak or not" is good characterization, though.

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